Fantasia Comes Full Circle in 'The Color Purple'

Fantasia Comes Full Circle in 'The Color Purple'

There have been at least a dozen times I sat to watch “The Color Purple” alone; at least three relationships that encouraged me to watch it again and several friend groups over the years that consistently referenced the iconic film.

I just couldn’t call myself a fan.

Recently, I attended a special screening for “The Color Purple,” featuring both Fantasia Barrino and Taraji P. Henson.

Consider me a fan, as the new musical spin does justice to Alice Walker’s famous novel.

Barrino embraces the role of Celie beautifully. The actress and singer has expressed how her personal struggles tend to lend guidance in embracing certain roles. The poor and unloved Celie is married off to cruel Mister. Barrino, through magnificent song and choreography navigates pain and rejection in an unforgettable fashion. 

To learn that Barrino studied tap dance to bring life to the “performance” component of the musical makes her efforts even more worthy of praise. The original film of course featured Whoopi Goldberg as Celie and the character took on such a dark, grim and tragic narrative. Barrino’s take on Celie provides more life and a greater sense of hope.

Helping Celie navigate her path of self-discovery is the sensual and captivating Shug Avery, played by Henson. Who knew Barrino and Henson needed each other in a film?

Henson, an Oscar-nominated actress has made headlines in recent days for drawing attention to the inequity in pay between black and white actresses. Her stellar performance as Shug Avery further solidifies her worthiness in Hollywood and ushers in room for more discussion on the pay gap.

There are many great influences in this Christmas Day release, including Oprah Winfrey and Steven Spielberg. In addition to Barrino and Henson, the film also features the amazing Danielle Brooks playing the role of Sofia. The cast is complete with Colman Domingo, Corey Hawkins, Aunjanue Ellis-Taylor, and singers H.E.R. and Ciara.

Musicals are such a risk on the big screen, but this production works beautifully. Moviegoers, both with knowledge of the previous production and without – will be pleasantly surprised by the way this film holds attention and engages for all two hours and 20 minutes.

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